![]() Of the writers and poets it featured - it exhibited short pieces or poems by Apollinaire, Prevert, Limbour and Bonnefoy. During its time it featured Matisse, Miro, Chagall as well as Calder, and Villeri. Like its sister publications in France at the time (Lazzaro's Xxe Siecle, de Jour, and the Verve), Derrier Le Miroir sought to present to a much wider audience the works of the up-and-coming Modernist artists, as their work and impact on the art world was beginning to reverberate around the galleries of the world.ĭerrier Le Miroir is perhaps one of the most successful of the 'stable' purely for the fact that it published over 200 editions, covering a period between 1946 to the 1980's. Additional postage may be required for oversize or especially heavy volumes, and for sets.The "Behind the Mirror" Review was an art and literary journal published just after the Second World War in Cannes, Paris, simultaneously marking the return of artistic freedoms to the country and the liberation of France. Member, I.O.B.A., C.B.A., and adherent to the highest ethical standards. All in, a quite fine, affordable exemplar of Alexander Calder's expertise in lithography. Neither blemishes nor smudges, neither marks nor fading or discoloration evident. As issued, with faint vertical crease in middle, mounted on matte-board measuring 23" wide by 16" tall, with half-inch margins all around, and with two diagonal creases only observable from an extreme angle. Comprised of a double-page lithograph published in Derriere Le Miroir, literally translated as "behind the mirror," a French art magazine published from the late 1930s until the early 1980s and that featured Limited Edition prints, artist biographies, art history and criticism and artist statements galore. ![]() ![]() Complete with a Certificate of Authenticity issued by Gallery BAM of Yellow Springs, Ohio, 2016, with the former owner, Brad Myers, attesting the authenticity of the lithograph as it was issued initially by Maeght Editeur of Paris, France, in Issue 221, 1976. Additional postage may be required for oversize or especially heavy volumes, and for sets. As issued, with faint vertical crease in middle, mounted on matte-board measuring 23" wide by 16" tall, with half-inch margins all around. Complete with a Certificate of Authenticity issued by Gallery BAM of Yellow Springs, Ohio, 2016, with the former owner, Brad Myers, attesting the authenticity of the lithograph as it was issued initially by Maeght Editeur of Paris, France, in Issue 212, January 1975, pp.
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